Wednesday, December 4, 2013

Titian, the babe magnet

I took Harvey's artists on film class in 2012 and beyond learning a small amount about individual artists before exploring a filmmakers fiction interpretation of the artist life. An awesome class being both interested in film and fine art (not that film isnt a fine art), it was pretty obvious most influential artist in art history, have had lovers from where they draw inspiration from and directly influenced their art. It wasnt until the last class where Harvey brought to our attention that Titian may have been reusing the same modal or at least her figure to reproduce many of his images. It wasn't really until Titian where I was made aware of an artists relationship with their subject.

It may be a little immature but i think, the relationship between art and sexuality is important to recognized. So beyond acknowledging that some of Michelangelo's success could be attributed to taking out homosexual frustration on blocks of marble, i think we may have to credit a lover of Titians that allowed him to appreciated human form.

However in the conservative, male dominated era of the renaissance where giving into sexual urges or being victimized by the sinful female, it was probably pretty hard to keep your pimp hand strong with the ladies with the eye of god and everyone else in Venice watching. "By condemning the female object of desire, the male observer can both have his cheesecake and eat it it to." (Goffen) As an artist, whose job is to preform the private commissions of such condemned females may have made it a bit easier to both enjoy the sinful pleasures of a women, and conform the the social mores of the renaissance.  

2 comments:

  1. Glad you enjoyed the artists on film class! Hope to convince someone it should be taught again! I tend to agree with you that the role of sexuality in art is very big. If we had more information on artists' lives of the Renaissance we might find even more of this. Don't forget that Vasari tells us that Raphael died of sexual excess, and check out Parmigianino's eroticized madonnas

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  2. I told you Patrick! Raphael did die of erotic exhaustion. The relationship between sexual repression as well as the undeniable expression in the pieces we've studied in this class has been very interesting. While artists then dealt with repression, it seems today we deal the opposite problem. We're so desensitized to sexualization today through advertisements and other forms of media (yes, movies too). Venus of Urbino would be tame compared to your average plastic surgeon billboard or vodka ad in a magazine.

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